No Idle Hands - The Myths & Meaning of TRAMP ART - Museum of New Mexico Foundation Shops
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Tramp art describes a particular type of wood carving practiced in the United States and Europe between the 1880's and 1940's in which discarded cigar boxes and fruit crates were notched and layered to make a variety of domestic objects. These were primarily boxes and frames in addition to small private altars, crosses, wall pockets, clock cases, plant stands, and even furniture. Whittling objects such as chains and ball-in-cage whimsies was a common hobby―including among rail-riding “hobos”―and for many years “tramp art” was believed to have been made by these itinerants as well. Although this notion has been widely dispelled, the name has stuck. In recent years efforts have been made to identify makers by name and reveal their stories. While some examples of tramp art may be attributed to itinerants, this carving style was more commonly a practice of
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Notch market: The Myths and Meanings of Tramp Art, Museum Shows
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[MacDonald, Anne L.] on . *FREE* shipping on qualifying offers. No Idle Hands: The Social History of American Knitting
No Idle Hands: The Social History of American Knitting
Museum of International Folk Art
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Museum of International Folk Art
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The Museum of International Folk Art Presents No Idle Hands: The Myths & Meanings of Tramp Art :: Department of Cultural Affairs Media Center :: Press Releases
No Idle Hands: The Myths And Meanings Of Tramp ArtAntiques And The Arts Weekly
Museum of International Folk Art
March 8, 2017 Santa Fe Reporter by Santa Fe Reporter - Issuu
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World Folk Art Books - Museum of New Mexico Foundation Shops
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